Following the Japanese invasion of northeast China in 1931, the occupying authorities established the Manchuria Film Association to promote film production efficiency and serve Japan’s propaganda needs. Manchuria Film Association had two tasks: to make “national policy films” as part of a cultural mission of educating Chinese in Manchukuo (the puppet state created in 1932) on t...(展开全部)

厄恩斯特•夏欧伯，丹麦罗斯基勒大学人与技术系教授，研究方向为日常生活中现代技术的社会和政治影响。他也担任国际理论心理学学会（ISTP）主席。 夏洛特•霍霍尔特，丹麦罗斯基勒大学人与技术系教授，研究方向为日常生活的社会心理学。 译者简介：王晓焘，毕业于南京大学社会学系，获法学博士学位。现为南京师范大学社会学与社会工作系讲师，研究方向为家庭社会学，社会学研究方法。主持国家社科基金青年项目1项；在《社会》《青年研究》等学术期刊发表学术论文多篇。

In this incisive book, Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de...(展开全部)

In this incisive book, Michel de Certeau considers the uses to which social representation and modes of social behavior are put by individuals and groups, describing the tactics available to the common man for reclaiming his own autonomy from the all-pervasive forces of commerce, politics, and culture. In exploring the public meaning of ingeniously defended private meanings, de...(展开全部)

As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema - and to cinema studies? In the first of two b...(展开全部)

As almost (or, truly, virtually) every aspect of making and viewing movies is replaced by digital technologies, even the notion of "watching a film" is fast becoming an anachronism. With the likely disappearance of celluloid film stock as a medium, and the emergence of new media competing for an audience, what will happen to cinema - and to cinema studies? In the first of two b...(展开全部)

Television is a central dimension in our everyday lives and yet its meaning and its potency varies according to our individual circumstances, mediated by the social and cultural worlds which we inhabit. In this fascinating book, Roger Silverstone explores the enigma of television and how it has found its way so profoundly and intimately into the fabric of our everyday lives. Hi...(展开全部)

史蒂夫·兰兹伯格（Steven Landsburg） 芝加哥大学数学博士，现任罗切斯特大学经济学教授。兰兹伯格在《石板》（Slate）网络杂志撰写的“每日经济学”专栏深受欢迎，他也应邀在《财富》《福布斯》《纽约时报》《华盛顿邮报》《华尔街日报》等刊物上发表文章，著有《价格理论与应用》《反常识经济学1：生活中的经济游戏》《反常识经济学2：为什么不向美丽征税》《反常识经济学3：为什么常识会撒谎》《反常识经济学4：性越多越安全》。 写作此类经济学读物需要褪去其高深莫测的面纱，仅仅留下犀利的逻辑分析，当然或许还要加上点幽默和文采。幸运的是，兰兹伯格的文章三者兼具。